By Jennifer Gusso
Running Time: 1 hour 50 minutes with one intermission
From the moment Millie Dillmount (Rachel Miller) appears on stage, bright-eyed and full of hope, in front of a New York City skyline and starts to sing, there is no doubt that the audience is in for a treat. From beginning to end, the cast of Thoroughly Modern Millie Jr. at Children’s Playhouse of Maryland, Directed by Liz Boyer Hunnicutt, with Music Direction by Charlotte Evans, and Choreography by Amanda Poxon, never fails to delight and to demonstrate that young people are incredibly capable of stunning vocals, intricate dance routines, and nuanced, mature acting performances. The entire ensemble of young people does an amazing job of bringing this fun and funny musical to life.
Setting the stage (literally) for their success are Diane Smith’s set design and Laura Miller’s scenic art. A combination of projection and cleverly-designed set pieces lead to seamless transition between a variety of locations. Coupled with a beautiful light design at the hands of Ed Lake, the audience is transported to the various locations, including a window ledge over the city. The total transformation of the actors to another place and time is completed with careful costume design by Sharon Byrd.
Of course, all of the set and costumes truly sizzle to life due to the brilliant direction of the creative team. Hunnicutt, Evans, and Poxon don’t back away from challenging the young performers to push themselves and have clearly prepared them well to be ready for the leap. The scenes shows careful comedic timing and character work; the music comes to life with solid and consistent harmonies; and the dance is just “WOW.” Poxon clearly has a gift. From flappers to tappers, every big dance number is unique and creative and the entire cast falls into lockstep with each other. These three ladies truly provided the foundation that allows these young performers to shine.
From small roles to large, shine is exactly what they do. From the very first dance number, the ensemble makes their mark. Front and center in that first number and standing out with her boundless energy and infectious smile is Evelyn Acerno. The ensemble continues to impress in a variety of roles as stenographers, boarding house residents, and other New Yorkers. Two other young ladies that really stand out in every ensemble scene and number are Ava Corelli and Angela Boeren. At every moment, they are selling the choreography and reacting appropriately in character.
Speaking of characters, this show is full of them! Sophia Possidente (Miss Flannery) is an absolute hoot. She creates a zany character who still comes across as real. Her comic reactions to the lines of others are also well-timed and sophisticated. Also showing just the right mix of crazy and restrained are the hilarious performances of Matthew Byrd and Allison Naglieri as Ching Ho and Bun Foo. Byrd was especially endearing in his quest for love. The pair also had excellent comic banter with Mrs. Meers (Emily Ricci). Ricci has a commanding presence on stage and delivered a stellar performance.
In the role of Miss Dorothy, Heidi Thiessen was the perfect ingénue. She exudes natural innocence. Will Foohey (Jimmy Smith) and Matthew Trulli (Trevor Graydon) both brought a warmth and natural likeability to the two male leads. Trulli was especially entertaining in the scene after being stood up at a restaurant, and Foohey did a solid job of showing Jimmy’s growth throughout the show. That trio especially excelled when they were singing. Each of them had a beautiful tone quality and evident vocal training. Those three voices, combined with that of Millie herself, in “I Turned a Corner” created an especially touching musical moment.
As wonderful as every aspect of this production was, it would be nothing without the perfect Millie – and that’s exactly what they had in Rachel Miller. Miller was the perfect balance of sweet and stubborn. She created a character who came alive in the cracks between her contradictions. A clearly capable dancer, she led and commanded the big dance scenes. Miller also has a beautiful belt but also this throaty quality to her voice that makes it both reminiscent of other famous stage belts and yet also uniquely her own. She wore the vocal score and the role like a glove, as if it had been written especially for her.
This production proves yet again that there is nothing “just” about children’s theatre. Everything about this production was delightful, and it could easily compete with any adult production in the area. Go see Thoroughly Modern Millie Jr. at Children’s Playhouse of Maryland, and you will not be disappointed!
This is what I thought of Children’s Playhouse of Maryland’s production of Thoroughly Modern Millie Jr… what did you think? Please feel free to leave a comment!
Thoroughly Modern Millie Jr. will play through December 16 at Children’s Playhouse of Maryland, at The Community College of Baltimore County, Administration Building, 7201 Rossville Boulevard, Baltimore, MD. For tickets, call 410-443-ARTS (2787) or purchase them online.
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