By Jason Crawford Samios-Uy
Running Time: Approx. 90 minutes with no intermission
Love is love. No matter who it happens to or how it happens, love is love, plain and simple. I’ve heard it said that there’s someone for everyone in this crazy world and you never know when and where you’ll find them. Sometimes it comes as quite a shock to those who do. Regardless, when that “one” is found, what does that do to us as individuals? The Strand Theatre’s latest offering, Bright Half Life by Tanya Barfield and Directed by K. Tony Korol-Evans gives us a glimpse into one love story that spans the years and asks us to think about our own relationships and what we’re willing to sacrifice and compromise for someone else.
In a nutshell, Bright Half Life concerns itself with Vicky and Erica, a couple who meet when they’re young, working for some corporation, Vicky a supervisor and Erica a temp. They move on from a professional relationship to a personal one and begin a forming a life together. Both seem to have different views of the world and of themselves. Vicky is stable, but her idea of a good time is spinning around a Ferris wheel and jumping out of planes while Erica is afraid of heights. When marriage, kids, and half a life together are thrown into the mix, where does that leave them?
Director K. Tony Korol-Evans took on double duty of Set Designer and this design fits the bill perfectly. Since the story is told in chunks that ping-pong through time, it needed to be simple and simple it was, not dull, but minimal and it worked nicely for this production. Locations and props were more insinuated rather than physical and it’s a wise choice considering how quickly the scenes change in time and space. A kitchen table and chairs, a few bar stools, a futon in the corner and a couple of wooden boxes is all that is needed to simply allude to where and when these characters are and it all flows together nicely.
Lighting Design by Robert Brooks and Sound Design by Brad J. Ranno work beautifully, in tandem, to set the mood for each scene for audience and we are transported transported to each location and time seamlessly. Neither design hinders the action going on onstage but enhances it sometimes subtly and sometimes in a flash making for a well put-together design from both. Kudos to Brooks and Ranno for their efforts.
Direction by K. Tony Korol-Evans is on point, especially with this type of text that bounces back and forth throughout the piece. She has a tight grasp on this material and the story that is being told. Her vision is clear and her staging is precise making for great pacing and audience engagement. It’s an intimate space, but she’s managed to use this intimacy in her staging. The character work is impeccable, as well, and her presentation of this material is entertaining and thoughtful.
Moving on to the performance aspect of this piece, the two actors chosen to portray these characters, Katharine Vary as Erica and Ayesis Clay as Vicky, give polished, dedicated performances and each have their individual character and both play their parts splendidly. Unfortunately, the intimacy and connection between the two characters doesn’t seem to be 100% believable. Both work well together, but the chemistry is more friendly than romantic, which is tough on an actor, and I just wish it had been a bit more authentic. However, I reiterate… both actors play their parts quite well.
Vary is comfortable in her role as Erica and she plays her confidently and energetically. She understands the turmoil and conflict of her character and her portrayal is heart wrenching and delightful at the same time. Within the drama, her comedic timing is spot on as she knows the line of playing it straight enough to be funny. Kudos to Vary on a wonderful portrayal.
Likewise, Clay is phenomenal as Vicky and gives a standout performance. Her natural delivery and confident stage presence makes this character believable and likable. Clay understands her character and the compromises Vicky makes as she navigates through a tough relationship not only with her partner but with her family and Clay doesn’t miss a beat. Overall, her performance is strong, confident and she should be commended for her outstanding efforts.
Final thought… Bright Half Life is a quirky but poignant love story. It jumps around, but after a few minutes, you get the rhythm of the piece and it’s not so jarring. The story is well told and the ability of the writer to fit practically a lifetime (or half a lifetime) into 90 minutes is no small feat and quite impressive. The performances are top notch and the staging is spot on. The two actors have a tight grasp on the material and the Director seems to have a deep understanding of the material making for an entertaining, thoughtful evening of theatre that is not to be missed.
This is what I thought of The Strand Theatre’s production of Bright Half Life… What did you think? Please feel free to leave a comment!
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