Review: Intimate Apparel at Everyman Theatre

By Jason Crawford Samios-Uy
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Running Time: Approx. 2 hours and 30 minutes with a 10-minute intermission
We easily take for granted so many items we use or see on a daily basis but, do we ever stop to think about the people behind those items? How do these items come into existence? Sure, today we can be 99.9% certain all of our everyday items come from a factory somewhere in the world, built by machines and synthetics, but, at the turn of the century, mostly everything was created by hand… by people. One of the most common, everyday items we deal with everyday (most people anyway) is underwear and, though not a taboo topic these days, back in 1905, it was truly unmentionable. Everyman Theatre‘s latest production, Intimate Apparel by Lynn Nottage, Directed by Tazewell Thompson, gives us a glimpse into the lives of one of those folks who created, by hand, ladies underwear, reminding us that even everyday items sometimes have a story all their own.

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(l-r) Dawn Ursula as Esther and Beth Hylton as Mrs. Van Buren. Photo: ClintonBPhotography


Though the title can be a little misleading, Intimate Apparel is not really about underwear, but, in a nutshell, about a woman, Esther, who makes her living sewing these articles of clothing for ladies throughout New York City.  She is an entrepreneur, making her own way in the world, which was quit uncharacteristic for women of color at that time, but she certainly has grand aspirations but is unmarried, illiterate, and in her mid-thirties. She begins a courtship with a man half-way across the world through letters and hopes this relationship will bring her a better future.
Everyman Theatre has never disappoints when it comes to sets and, though this set isn’t as impressive as previous productions, Set Design by Donald Eastman is simple, but absolutely appropriate for this piece. Earthy colors exude the feeling of the New York City tenements of the early 1900s and the authentic, well-chosen set pieces help set the time and move the story along nicely.
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(l-r) Jade Wheeler as Mayme and Beth Hylton as Mrs. Van Buren. Photo: ClintonBPhotography


Costume Design by David Burdick is sensational as well as authentic with an eye for detail. All of the ladies were dressed in the turn of the century style with contrasts in the class of these characters quite apparent. The gentlemen, who have less complex costumes, are still dressed in styles that fit the individual character such as a 1900s Jewish shop owner and an African-American laborer. All the tailored costumes of the very different characters are carefully though-out and add great value to the production.
Tazewell Thompson takes the reigns of this production and has a good comprehension of the story and text and gives us a well put-together production. Pacing is consistent and there’s no dragging in the action, even if the story itself drags along at times. The transitions between scenes are seamless and each character is nicely fleshed out. The script is so-so, but Thompson has managed to tell this story in as much an interesting way as possible. His casting is to be commended and his vision is clear making for a poignant, focused production of a script that kind of falls flat.
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Jade Wheeler as Mayme. Photo: ClintonBPhotography


Moving onto the performance aspect of this production, it’s worth mentioning that, even though I’m not 100% on board with the script (did I make that clear enough, yet?), I am on board with the ability and interpretation of this able and dedicated cast.
Bueka Uwemedimo takes on the role of George, the pen pal turned love interest of Esther, our main character, and a laborer who is digging for the Panama Canal. Uwemedimo has a good grasp on this character and gives a commendable performance but he does seem to yell through his entire performance while speaking… so… slowly. There’s projecting from the stage and there’s yelling and it seems Uwemedimo is doing the latter. Regardless, I can understand ever word he’s saying and he’s dedicated to his role confidently portraying his character as the “villain” with ease and authenticity.
Mayme, the kind, sweet girl who dreamed of being a concert pianist but had to resort to prostitution while renting a room on top of a saloon, is portrayed by Jade Wheeler. While wheeler seems to understand her character well, it feels as though she’s calling her performance in. The character is laid back but Wheeler’s interpretation seems a little too laid back, especially in her speaking. Mayme is a transplant from Memphis, Tennessee but has not a lick of a southern drawl that one would expect. Maybe she’s been up north too long? Aside from a good, albeit uninspiring performance, it’s definitely worth noting that Wheeler is a top-notch vocalist. She plays the piano and belts out a jazzy tune that just about brings down the house while exhibiting her proficient musicality.
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(l-r) Jenn Walker as Mrs. Dickson and Dawn Ursula as Esther. Photo: ClintonBPhotography


Mrs. Dickson, the boarding house landlady and friend to Esther, is played brilliantly by Jenn Walker and she completely embodies this character playing her with a great balance of being a realist and a compassionate friend. The character is relatable, as is, since most of us can claim we have someone like this in our family or circle of friends; one who wants what’s best for us and cares deeply for us but doesn’t mind giving his or her opinion on everything, whether we like what they say or not. Walker is to be applauded for a strong performance.
Beth Hylton, an Everyman Theatre Company member tackles the complex role of Mrs. Van Buren, the rich socialite who is not only a client of but a friend to Esther, helping her in her quest to find love by writing the letters she’s sending to George. Hylton gives an impressive, confident performance and provides the contrast to the other characters all the while showing many similarities to Esther. Both are around the same age and both are yearning for love and companionship. Hylton has a great comprehension of her character and provides both attitude and mannerisms to make for a delightful performance.
As the jovial, devoutly Jewish shop owner, Mr. Marks, Drew Kopas is a highlight of this production an absolutely believable, making this character likable from the start. From the Romanian accent to the costume, Kopas had this character down pat, without question. His dedication and focus are definitely clear in this performance and his chemistry with Dawn Ursula is spot on.
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Dawn Ursula as Esther. Photo: ClintonBPhotography


Speaking of Dawn Ursula, she rounds out the cast and is a joy to watch as Esther, our unfortunate heroine with an entrepreneur’s spirt, trying to make her way through early 1900s New York City. Ursula takes this role, chews it up, and makes it her own. You can actually see the uncertainty and, at times, anguish this character is feeling in Ursula’s performance. Her commitment and enthusiasm for this role is apparent and it’s easy to see she’s giving 100% to this character. She portrays the changes her character goes through effortlessly and gives an overall splendid performance that makes for a moving and entertaining evening of theatre.
Final thought…Intimate Apparel is a poignant piece and gives insight to the people we don’t think about regularly, namely, laymen and women who create the beautiful or simple everyday items to which we don’t give a second thought. The story itself is a slow burn and is not my favorite and is not extremely impressive. Act I does not have much going for it in the way of an interesting story line and the minor subplots are more interesting than the main story line, but most of the performances are spot on and praiseworthy. The pacing is on point and the story moves along with a good tempo. Overall, it’s a focused, well put-together production and the story is an important one of searching for love, finding love, and losing love.
This is what I thought of Everyman Theatre’s production of Intimate Apparel… What did you think? Please feel free to leave a comment!
Intimate Apparel will play through November 19 at Everyman Theatre, 315 W. Fayette Street, Baltimore, MD. For tickets, call 410-752-2208 or purchase them online.
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PRESS RELEASE: Everyman Theatre's Intimate Apparel Reveals Patterns of Synergy and Commitment to Playwright's Work

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Everyman Theatre’s Intimate Apparel Reveals Patterns of Synergy and Commitment to Playwright’s Work
Production Weaves Thematic Threads with Meaningful Community Connections
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Baltimore, MD – As though tailor-made for the locally-commissioned play’s Baltimore audience,Intimate Apparel stirs with substance, style and sincerity at Everyman Theatre—October 18 through November 19, 2017—in a quietly commanding production that radiates with powerful performances on-stage and profound local partnerships off-stage, bringing the play’s delicate themes affectingly to life.
Wearing her heart on her sleeve while sewing intimates for her clientele, Esther is the talented African American seamstress in turn-of-the-century New York who has built a savings for herself making beautiful undergarments—while earnestly daydreaming of new beginnings, romantic possibilities, and the lingering affection she shares with a Jewish fabric merchant. But when an egregious deception cuts short heartfelt desires, can class, culture and circumstance outmatch the strength of human spirit? Inspired by a true story, Intimate Apparel is a heart-rending contemporary work in the style of an enduring classic—from Lynn Nottage, the first female playwright to win two Pulitzers.
Intimate Apparel marks the third Lynn Nottage play produced at Everyman Theatre, following 2015’sRuined and 2014’s By The Way, Meet Vera Stark. Intimate Apparel director Tazewell Thompson (who previously directed Great Expectations and Ruined at Everyman, as well as a production of Intimate Apparel at Dartmouth College) brings what Everyman Theatre Founding Artistic Director Vincent M. Lancisi describes as “a dramatist’s eye and a librettist’s ear” to the helm.
“Plays like Intimate Apparel are about bringing the real changing world into the theater,” said Thompson. “They are about making the theater contemporaneous with life; making the theater a leader of perception, not a follower. Intimate Apparel awakens us to the selves within ourselves; allows us to see, hear and understand the lives of, indeed, every man.”
In this spirit, Everyman’s production of Intimate Apparel is augmented by an extensive slate of ancillary programming that fastens topics from the play (including empowerment, entrepreneurship, and evolving trends) to close-knit community collaborations involving local artists, makers and independent entrepreneurs as well as institutions such as MICA, Baltimore School for the Arts, the Baltimore Design School and the Maryland Film Festival’s SNF Parkway Theatre.
“The story on stage can be just the beginning of the journey,” explained Everyman Theatre Managing Director Jonathan K. Waller. “We invite audiences to join us in deepening the experience by exploring how the play’s themes connect to our lives and history here in the Baltimore area. For Intimate Apparel, we have more opportunities to do this than ever before thanks to a growing circle of committed and connected partners.”
Partner projects for Intimate Apparel include an on-site costume exhibit, a tasting involving local restaurants, a film screening and discussion, a community conversation with local/regional fashion designers, a panel discussion about labor and sex work, and a walking tour of Baltimore’s historic garment district—among others. (See below for comprehensive listing.)
The cast of Intimate Apparel reunites several cast members from Ruined, including Resident Company Member Dawn Ursula* (Esther), Jade Wheeler* (Mayme) and Bueka Uwemedimo* (George). Rounding out the cast is Jenn Walker* (Mrs. Dickson), Resident Company Member Beth Hylton* (Mrs. Van Buren), and Drew Kopas* (Mr. Marks) and Steve Polites (Understudy-Mr. Marks).
The Intimate Apparel design team includes director Tazewell Thompson, Donald Eastman (Set Design), Stephen Quandt (Lighting Design), David Burdick (Costume Design), Fabian Obispo (Sound Design & Composition), Gary Logan (Dialects) and Denise O’Brien (Wig Design).
Intimate Apparel runs October 18 through November 19, 2017. Tickets ($10-65) are now on sale online (everymantheatre.org), by phone (410.752.2208), or at the Everyman Theatre Box Office (315 W. Fayette Street, Baltimore, MD).
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
On View in the Lobby/Mezzanine
Fashion Exhibit: Boudoir Vignettes
Ongoing (October 20 – November 19, 2017)
Independent designers and matriculating students from MICA, Baltimore School for the Arts and Baltimore Design School have crafted this visual response to the story and setting of Intimate Apparel, which combines their local viewpoint with elements of clothing, including lingerie and boudoir attire. Curated by Caprece Jackson-Garrett.
Event Listings
TNT: Theatre Night for Teens
Tuesday, October 17, 2017 at 6:00 PM
Students in grades 9-12 enjoy a dynamic night out at the theatre featuring pre-show dinner sponsored by Noodles & Company, an Intimate Apparel artist meet-and-greet, and a 7:30 PM preview performance followed by post-show discussion and dessert. Tickets: $10 each (space is limited).
Pay-What-You-Can Preview Performance
Tuesday, October 17, 2017 at 7:30 PM
Pay-What-You-Can to see the first preview performance of Intimate Apparel. Tickets: By donation (cash only), available on a first-come, first-serve basis at the Box Office beginning at 5:30pm. Seating is general admission.
Everyman at the Parkway: Middle of Nowhere
Tuesday, October 24, 2017 at 7:00 PM (at the SNF Parkway Theatre)
One-night-only film screening presented in partnership with the Maryland Film Festival: Written and directed by Ava DuVernay, who won the 2012 Sundance Film Festival Best Director Award for her work,Middle of Nowhere chronicles a woman’s separation from her incarcerated husband and the journey to maintain her marriage and her identity amidst crisis and chaos. Resident Company member Dawn Ursula (Intimate Apparel) will introduce the screening and host an informal discussion following the film. Tickets: $8-10 each (available at mdfilmfest.com).
Taste of Everyman: Classified Cravings
Thursday, October 26, 2017 at 6:00 PM
Taste of Everyman is an artful pre-show experience that combines smarts and samples from some of the hottest talent in Baltimore’s dine and drink scene, including expert knowledge and sample-sized pairings designed (cheekily) to complement the show. Hush-hush hankerings? Top-secret tastes? For even the “foodiest” foodies among us, keeping our favorites quiet is par for the course. In the secret-keeping spirit of Intimate Apparel, join one of Baltimore’s most knowledgeable and passionate food and drink insiders, Amy Langrehr (aka Charm City Cook) for an “off the record” dish on some of Baltimore’s most-loved nosh — including some well known and others still a little bit under the radar. Featured restaurants include Dylan’s Oyster Cellar, Ekiben and Lobo, paired with local beers from Brewer’s Art, Monument City Brewing and Union Craft Brewing. Tickets: $60 each (includes event and 7:30pm performance) or $30 each (event only).
Confessions of a Designer
Friday, October 27, 2017 at 6:00 PM (Reception at 5:30 PM)
Join host, bespoke menswear designer Stephen Wise of SWB Atelier (City Paper 2016 Tailor of the Year), and esteemed local/regional designers, for a community conversation exploring the “inner lining” of the independent fashion design world and its artistic, professional and personal impacts. Participating designers include: Earle Bannister, Adira Bunch, John Cash, Brian Collins, Sally DiMarco, Crystal Joines, Dino Hartfield, Sehar Peerzada, Seleh Rahman, Stacey Stube, Richard Swartz, and Brandon Warren. Tickets: Free to attend, reserve in advance at Box Office.
World of the Play: Unraveling the Threads of Labor and Love, Then and Now
Saturday, November 4, 2017 at 4:30 PM
The characters of Intimate Apparel and their professions provide us with the thematic threads of labor and intimacy to spark discussion with an expert panel, including a local labor historian, a contemporary African-American tailor and menswear designer, and a member of SWOP (Sex Workers Outreach Project). Hosted by Marc Steiner (The Center for Emerging Media). Tickets: Free to attend, reserve in advance at Box Office.
Cast Conversations
Thursday, November 9, 2017, Post-show
Chat with participating cast members following the 7:30 PM performance of Intimate Apparel, or follow along (and submit questions) via Twitter courtesy of @BWW_Baltimore. Tickets: N/A (free to attend, with ticket to accompanying performance).
Threading History and Place: Bromo District Walking Tour
Sunday, November 12, 2017, 11:00 AM-12:30 PM
Explore invisible public spaces and storied buildings that reflect the history of Baltimore’s fashion industry, department stores and garment district and learn about past and present efforts that shape the neighborhoods contained within the Bromo Arts and Entertainment District. Tour begins and ends at Everyman Theatre (315 W. Fayette St. entrance), where attendees may stay for the 2pm performance at an exclusive discounted rate. Produced in partnership with New Public Sites, Bromo Arts and Entertainment District, and Market Center Merchants’ Association. Tickets: $15 each (tour only), advance purchase required (space is limited).
Boudoir Couture Showcase
Sunday, November 19, 2017, 5:00-6:30 PM
A live activation of the fashion exhibit (Boudoir Vignettes) on view during Intimate Apparel.
Tickets: Free to attend, reserve in advance at Box Office.
About Everyman Theatre
Everyman Theatre is a professional Equity theatre company celebrating the actor, with a Resident Company of artists from the Baltimore/DC area. Founded in 1990 by Vincent M. Lancisi, the theatre is dedicated to engaging the audience through a shared experience between actor and audience seeking connection and emotional truth in performance. Everyman is committed to presenting high quality plays that are affordable and accessible to everyone. The theatre strives to engage, inspire and transform artists, audiences and community through theatre of the highest artistic standards and is committed to embodying the promise of its name, Everyman Theatre.
Intimate Apparel is sponsored in part by Vic & Nancy Romita and the Downtown Partnership of Baltimore, with media support from The AFRO News, The Baltimore Sun Media Group and WYPR. Everyman Theatre’s Pay-What-You-Can nights are supported by Dr. E. Lee & Bea Robbins. The 2017/18 Season is generously sponsored by LifeBridge Health. Everyman Theatre is supported in part by grants from the Maryland State Arts Council and the Baltimore County Commission on Arts and Sciences.
Everyman Theatre is a proud member of the Bromo Tower Arts and Entertainment District, the Market Center Merchants Association and the Greater Baltimore Cultural Alliance.
Vincent M. Lancisi is the Founding Artistic Director of Everyman Theatre; Jonathan K. Waller is the Managing Director. For information about Everyman Theatre, visit everymantheatre.org, call 410.752.2208, or connect via Facebook (@everymantheatremd), Twitter (@everymantheatre), YouTube (@everymantheatre) and Instagram (@everymantheatre).
 
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