Review: Madagascar, A Musical Adventure at Red Branch Theatre Company

By Jason Crawford Samios-Uy
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NOTE: MADAGASCAR, A MUSICAL ADVENTURE CLOSED DECEMBER 23, 2017
Running Time: Approx. 80 minutes with one 15-minute intermission
Do you like to move it, move it? Well, if you do, you’re probably familiar with the 2005 Dreamworks film Madagascar. If you’re not familiar with it and it’s sequels, it’s a cute computer-animated feature about four unlikely animal friends, a lion, a zebra, a giraffe, and a hippo, from the Central Park Zoo who find themselves on the island of Madagascar, realizing what it is to be in the wild. Red Branch Theatre Company’s latest offering, Madagascar, A Musical Adventure, with a Book by Kevin Del Aguila and Music and Lyrics by George Noriega and Jose Someillan, is the stage version of this popular film, Directed by Jenny Male, with Music Direction by Dustin Merril, and Choreography by Angeleaza Anderson, Sarah Luckadoo, and Jenny Male, is fun, energetic production perfect for this time of year when you need a break from the crazy mid-Atlantic weather and the hustle and bustle of the holidays.
Set Design by Jacob Cordell is minimal but appropriate and sets the scenes cleverly. Using set pieces, it’s easy to determine where each scene is placed and Cordell decorates the set festively that works quite will with this piece.
A highlight of this production is Choreography by Angeleaza Anderson, Sarah Luckadoo, and Jenny Male. It’s contemporary, high energy, tight, and the ensemble performs it well, adding great value to the production as a whole and keeps the attention of the targeted, younger audience members.

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The company of Madagascar, A Musical Adventure. Photo: Bruce F Press Photography


Costume Design by Jackie Rebok is well thought-out, flashy, and fanciful, as it should be. With the risk of doing too much for a character when it comes to people playing animals, Rebok’s design is intelligent in that it doesn’t inhibit the actors performances but gives the audience just enough to know which animal is being portrayed. Simple, but spot on, each costume is quite appropriate and adds great value to this production. On a personal note, I think the platform boots for Melman the Giraffe are everything and a clever touch to the character.
Music Diretion by Dustin Merrill is focused and commendable and, even though the production uses recorded music (I’m assuming, since there wasn’t a pit orchestra listed in the program), his cast his well-rehearsed and committed. The score is very pop-inspired and quite catchy. The tunes are hummable and the ensemble has a good grasp of the music making for a delightful production.
Jenny Male takes the helm of this production of Madagascar, A Musical Adventure and her vision and staging of this piece is superb. She doesn’t treat this material simply as a “kids show” but as a quality production. It’s a fluffy show that’s meant to be more fun than anything, but it does have a message of belonging of which Male has a strong comprehension and her vision is clear. Her casting is spot on and her staging keeps the piece moving along nicely with smooth transitions and a peppy pace.
Speaking on the performances of this piece, it’s worth noting that every single ensemble member is 100% committed and gives dedicated, strong performances. They all work well together and take the piece seriously enough to get the message across but also have fun with the material making for an engaging evening of theatre.
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The company of Madagascar, A Musical Adventure. Photo: Bruce F Press Photography


To begin, Rick Westerkamp takes on the role of the over-the-top, zany King Julien and Megan Henderson takes on the character of the business-like assistant, Maurice. Overall, these two give confident performances and are comfortable in their roles, but Westerkamp takes the over-the-top a little too far and it actually hinders his performance. It’s as if he’s trying too hard for the laugh and the portrayal falls a bit flat. Vocally, he’s not the strongest and with one of the most recognizable, catchy songs in the entire production, “I Like to Move It,” one would think this number would be the most memorable. The choreography is spot on but Westerkamp seems to be just going through the motions, depending on the assumption that the audience will find it humorous.
Ben Ribler tackles the role of Alex the Lion, the star of the Central Park Zoo and a carefree, kept creature that takes advantages of all the privileges that entails. Ribler’s character work is admirable and, vocally, he makes a very good showing but it is a subdued performance, lacking energy at times, and he seems to be so soft spoken, it was difficult to make out his dialogue through much of the performance. However, aside from a few minor issues, he has a good presence, understands his character, and seems to be enjoying the role which transfers to the beguiled audience.
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Bryan Thompson as Marty. Photo: Bruce F Press Photography


Performing the role of Marty the Zebra is Bryan Thompson and he has a great grasp of this character and his need for freedom. Thompson’s delivery is commendable and his dedication is apparent for this role. Vocally, he may not be as strong as others in the ensemble, but he holds his own nicely and has great chemistry with his cast mates. Overall, it’s a notable performance and his enjoyment of playing this role shines through.
Though supporting characters, The Penguins are probably some of the most popular characters in this piece and Liliana Evans as Skipper, Angeleaza Anderson as Private, Sarah Luckadoo Rico, and Molly Mayne as Kowalski give a hilarious showing as these determined arctic fowls. They have a brilliant chemistry and work well together. Each actor portrays the individuality of each character and give the Penguins a near perfect balance of hard-nosed, military purpose and compassion for their fellow animals. Kudos to Evans, Anderson, Luckadoo, and Mayne on their wonderful performances.
Danny Bertaux is a highlight in this production as Melman the Giraffe. Melman is such a quirky character, but Bertaux pulls off a stellar performance. He embodies this character who suffers from severe hypochondria and endears himself to the audience. He works quite well with and off of his cast mates and adds a certain charm to this character. It’s worth mentioning, also, that he keeps up with the intense choreography in exceedingly high platform boots (that I absolutely adore) without missing a step. Overall, a praise-worthy performance.
In this particular production, Taylor Washington as Gloria the Hippo as the standout. This lady has a voice on her that soars throughout the theatre and makes one take notice. She’s committed to her role and adds a maternal aspect that is required of Gloria. Her chemistry with her “boys” is spot on and she takes the material seriously enough to tell the story but also has fun with the role that balances out to be a superb performancce.
Final thought… Madagascar is a cute, fun, and energetic staged version of the popular 2005 film and it transfers nicely to the stage. The music is pop-inspired and damned catchy, that you may find yourself humming on your way out of the theatre. The performances are committed and the ensemble is strong. You don’t have to be familiar with the film to enjoy this family-friendly, fluffy, and thoroughly entertaining piece of theatre.
This is what I thought of Red Branch Theatre Company’s production of Madagascar… What did you think? Please feel free to leave a comment!
Madagascar, A Musical Adventure played December 8-23 at Red Branch Theatre Company, 9130-I Red Branch Road, Columbia, MD.
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Review: The Last Five Years at Stillpointe Theatre

By Jason Crawford Samios-Uy

Running Time: 1 hour and 30 minutes with no intermission
Disclaimer: This production of The Last Five Years at Stillpointe Theatre is presented with two casts. I was only able to experience one cast and will be reviewing the cast I saw – Cast B, I believe (though my program stated I was seeing Cast A), consisting of Danny Bertaux as Jamie and Jessica Bennett as Cathy.

Jessica Bennet & Danny Bertaux as Cathy & Jamie. Credit: Rob Clatterbuck


Baltimore has some pretty awesome theatre going on right now in intimate and larger theatre across this charming city, but in this particular go-round, Stillpointe Theatre‘s latest offering, The Last Five Years by Jason Robert Brown, Directed by Darius K. McKeiver, with Music Direction by Ben Shaver, Set Design by Ryan Haase, Costume Design by Heather Jackson, and Lighting Design by Adrienne Gieszl is superlative and is definitely a bit of theatre you do not want to miss.
The Last Five Years is about a five-year relationship between Jamie, a young, brilliant author and Cathy, an actress waiting for her break. It tells the story in an interesting way messing with the chronology as Cathy tells the story from end to beginning and Jamie’s story is from beginning to end. The two characters don’t interact much except for a song representing their wedding smack dab in the middle when the timelines actually intersect.

Jessica Bennet & Danny Bertaux as Cathy & Jamie. Credit: Rob Clatterbuck


After seeing a couple of shows at Stillpointe Theatre, I’m impressed with their unique space. It’s intimate, but it works for their purposes and Set Design by Ryan Haase has not disappointed yet. He really knows this space and his design is exceptional for this production. He uses what space he has wisely and his modern and minimalist approach adds great value to this piece. Blending nicely with Adrienne Gieszl’s subtle but intelligent Lighting Design, the set is a character of its own. There are two upper levels on either side add variety (and a place for actors to change wardrobe, if need be). Most of the space is taken up by the orchestra, and a few chairs and an old upright piano accompany the actors, along with a few odds and end along the perimeter of the stage, but that’s all this piece needs and Haase doesn’t overdo it with clutter. Once again, major kudos goes to Ryan Haase who has given us another innovative, creative, and modern design to tell a story.

Jessica Bennet & Danny Bertaux play Cathy & Jamie. Credit: Rob Clatterbuck


Keeping with the modern/present day setting, Costume Design by Heather Jackson is smart and appropriate and does not hinder the action but helps it along. Both actors look comfortable in their wardrobe and each costume is fitting of whichever scene it accompanies. Some may think it can’t be difficult to costume a present-day piece, but, it’s a little harder than you think. There are many points to consider such as what is going on in the scene or what kind of personality does the character have? Jackson seems to understand her characters and has worked nicely with her actors to give an excellent Costume Design.
Please indulge me and let me take a moment to dote over Music Direction by Ben Shaver and the exceptional orchestra for this beautiful piece. Shave just got it. He had his cast sounding on point throughout the entire piece and his orchestra, whom he conducted as well, was just a superb. He understands this music and he got the maximum performance out of his actors. The orchestra, consisting of Ben Shaver on Piano, Trevor Shipley on Guitar, Cody Raum on Bass (standup bass, mind you), Livy Amouruso on Violin, and the dashing Steven Bainbridge on Cello fills the space with Jason Robert Brown’s music and are impeccably balanced with the actors, not drowning them out, but not holding back, either. They are well rehearsed and didn’t miss one single cue that I caught, anyway. It is an absolute pleasure to hear these folks in action.

Danny Bertaux as Jamie and Jessica Bennet as Cathy. Credit: Rob Clatterbuck


Director Darius K. McKeiver does an outstanding job in telling this story. It’s clear he understands the material and he keeps it relatable and simple for the audience while still keeping the complexity of the situation apparent. His casting choices are creative and non-traditional using an interracial cast (and an all female cast) which is refreshing for a piece like this which is usually cast with a Caucasian man and woman, not to say that wouldn’t have been just as effective, but non-traditional casting is usually a pleasant surprise and it definitely worked for this piece. McKeiver keeps the action moving and the pace of this piece is flawless. There isn’t an intermission, but I didn’t even notice because the piece moved along so nicely. McKeiver has a good grasp on these characters and his guidance for this well-thought out and well put-together production is excellent.

Danny Bertaux & Jessica Bennet as Jamie & Cathy. Credit: Rob Clatterbuck


As Jamie, Danny Bertaux knocks it out of the ballpark with this one. He grasps the character nicely and comprehends his objectives and runs with it. Bertaux has such a big presence on the stage, he seems to overdo it at first, but the space is intimate, so it just seems that way so he balances out his performance as the piece progresses. The role of Jamie has its challenges, but Bertaux meets every one of them confidently and gives a stellar performance. Vocally, he is a powerhouse, filling the entire space with a rich tone and impressive range and it’s a joy to watch and listen to him in this production.

Jessica Bennet & Danny Bertaux as Cathy & Jamie. Credit: Rob Clatterbuck


Taking on the role of Cathy, Jessica Bennett is exquisite. I was enthralled from the first beautiful note that came out of this woman’s mouth. She’s comfortable in this role and has a great command of the stage. She gives a strong, stand out vocal performance and her interpretation of each song is authentic and exudes emotion without going too far. I could feel Bennet’s pain or happiness in each of her numbers and she brings me into her performance, embodying this character of Cathy. It is a privilege to experience her solid performance.
Understanding the nature of this piece, Bertaux and Bennet actually don’t have much close interaction aside from a song or two in the middle of this piece. That being said, they both do such a fantastic job with their character and the material, I can feel their connection every moment from beginning to end, which is a feat as the characters are on different timelines and have a lot of solo work. The superb handling of this piece is a credit to these two actors.
Final thought… It is not my intention to over pander to this production but a good production is a good production and The Last Five Years is a show that needs to go to the top of your list of shows to see this season. It’s some of the best theatre happening in Baltimore at the moment and it’s a poignant, emotion-filled piece that is presented beautifully with an insanely talented cast and a superb orchestra to back them up. It is a minimal but complete and immersive production that is easy to relate and connect with and will touch you deeply. Get your tickets while they last.
This is what I thought of Stillpointe Theatre’s production of The Last Five Years… What did you think? Please feel free to leave a comment!
The Last Five Years will play through March 25 at Stillpointe Theatre, 1825 N. Charles Street, Baltimore, MD. For information or tickets log on to stillpointetheatre.com or purchase them here.
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Review: Evil Dead the Musical at Red Branch Theatre Company

By Jason Crawford Samios-Uy
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Running Time: 1 hour and 45 minutes with one 15-minute intermission.
October is upon us and many of us are settling in for a month of scary movie nights, road trips to haunted attractions, decking our homes out with fake spider webs and carved pumpkins, and everything else that is Halloween. Autumn is my absolute favorite time of year and part of this affinity has to do with this frightening holiday! Red Branch Theatre Company‘s latest gory offering, Evil Dead the Musical, Directed and Choreographed by Jenny Male with Music Direction by Aaron Broderick is just what is needed to get the October festivities started and just hits the spooky spot!

Benjamin Stoll as Ash. Credit: Bruce F Press Photography

Benjamin Stoll as Ash. Credit: Bruce F Press Photography


If you haven’t at least heard of the 1981 cult hit film Evil Dead and its subsequent sequels and reboots, you had to have been living under a rock for the last 35 years, but, seriously… its a campy horror classic that you should have on your list of films to see before you die. It’s so popular, premium cable network STARZ premiered a new TV show called Ash vs. Evil Dead, based on the film. Both this TV show and the original film star Bruce Campbell as Ash, the unlikely hero, who fights “deadites” to save the world , whether he likes it or not.
Red Branch Theatre Company brings this cult classic to the stage brilliantly and this is an experience you don’t want to miss!
Benjamin Stoll as Ash. Credit: Bruce F Press Photography

Benjamin Stoll as Ash. Credit: Bruce F Press Photography


Special Effects and Make up really drive this type of show and Hannah Fogler knocked it out of the park with her ingenuity and creativity. At its core, Evil Dead the Musical is a gory, blood-soaked supernatural tale and Fogler completely embraces this. There’s only so much blood and gore one can produce on the stage for a live performance (unless you’re a certain barber on Fleet Street), but Fogler manages to give us just the right amount without making it look too fake or hokey but enough to add value to the production and not take away from the other elements of the production. Zombies are all the rage these days and, if you are unfamiliar with Evil Dead, “deadites” are pretty much zombies and Fogler’s Make-Up Design clinches the look impeccably. With the help of masks, the transitions of the actors is flawless and the Special Effects and Makeup are certainly technical highlights of this production. You’ve been warned! If you’re squeamish, be prepared for the squirting blood and guts that accompany this brilliant piece.
Danny Bertaux as Scott, Sarah Goldstein as Cheryl, and Benjamin Stoll as Ash. Credit: Bruce F Press Photography

Danny Bertaux as Scott, Sarah Goldstein as Cheryl, and Benjamin Stoll as Ash. Credit: Bruce F Press Photography


Set Design by Ryan Haase is nothing short of superb, using levels, the appropriate cool, earthy, woodsy colors of an old, semi-abandoned cabin in the woods, easy entrances and exits to move the action along smoothly, and movable wall art (Yep! You read that correctly!). The space at Red Branch Theatre Company is already a great space for the productions they offer, but Haase has managed to completely turn this stage into the cabin where this crazy story takes place. His eye for detail is extraordinary and he utilizes his space wisely to match the challenges of the setting of this production. Kudos to Haase for his creative eye and smart set design.
Lighting Design by Lynn Joslin effectively captures the creepiness of the setting and set the mood with the dim lighting and use of strobe effects during certain points in the piece giving us a dark wood on a stormy night. Joslin’s design was very appropriate and provided added value to this production.
Angeleaza Anderson as Shelly, Benjamin Stoll as Ash, Sarah Goldstein as Cheryl, Danny Bertaux as Scott, and Carson Gregory as Linda. Credit: Bruce F Press Photography

Angeleaza Anderson as Shelly, Benjamin Stoll as Ash, Sarah Goldstein as Cheryl, Danny Bertaux as Scott, and Carson Gregory as Linda. Credit: Bruce F Press Photography


Costume Designer Andrew Malone did a very good job dressing his actors in costumes that are modern but have a nostalgic flair that’s absolutely fitting for this piece. The actors look very comfortable in their respective costumes and move about effortlessly. Notably, the character of Ash had an ensemble that near perfectly matched Bruce Campbell’s attire in the film and Malone is to be commended for his eye for detail.
Jenny Male tackles the double duty of Director and Choreographer and she does a phenomenal job. She takes this familiar, campy tale and transfers it to the stage flawlessly. She keeps the story moving and seems to understand the type of dark humor overflowing in this piece but keeps it together with clever blocking and a spot on casting. It’s challenging to take a piece of popular culture and present it in a new way but Male changes aspects of the story that have to be changed to update and/or fit the stage and keeps beloved aspects of the story intact for the die-hard fans of the original films. The balance is superb and make for a very successful production.
Cast of Evil Dead the Musical. Credit: Bruce F Press Photography

Cast of Evil Dead the Musical. Credit: Bruce F Press Photography


The choreography is just about as campy as the show itself but it works perfectly! The cast seems to have a great time with the dance numbers and I had a great time watching them. They’re upbeat and energized, and just a bit chintzy when they need to be! Kudos to Jenny Male for a job well done.
Under the Music Direction of Aaron Broderick, this ensemble sounds amazing. The score is very good, but campy, but Broderick had this cast in harmony and on point with this piece. The style is modern but still very musical theatre and, as with choreography, the cast seems to have a blast while performing these songs and with songs with titles such as “What the Fuck Was That?” and “Do the Necronomicon”… how could one not have a great time?
Front (l-r) Carson Gregory as Linda, Benjamin Stoll as Ash. Back (l-r) Danny Bertaux as Scott, Angeleaza Anderson as Shelly, Sarah Goldstein as Cheryl. Credit: Bruce F Press Photography

Front (l-r) Carson Gregory as Linda, Benjamin Stoll as Ash. Back (l-r) Danny Bertaux as Scott, Angeleaza Anderson as Shelly, Sarah Goldstein as Cheryl. Credit: Bruce F Press Photography


Though there is what many would consider a main character (Ash), this is truly an ensemble piece and this entire ensemble has great chemistry and they all work well together. It’s a joy to watch them interact, play off of, and support each other, just as a tight-knit cast should.
Peter Boyer, Cole Watts, and Sarah Luckadoo bring up the “chorus” or ensemble of this cast, but that certainly doesn’t mean they aren’t essential to this piece.
Peter Boyer takes on the role of Jake and, though his character seemed a little out of place as a reliable hillbilly who happens to be wandering in the same woods as the abandoned cabin, he played the role well, giving 100% and his comedic timing was spot on. His number “Good Old Reliable Jake” seemed to be filler, to me, but he performed the number admirably.
Sarah Luckadoo and Peter Doyle. Credit: Bruce F Press Photography

Sarah Luckadoo and Peter Doyle. Credit: Bruce F Press Photography


Cole Watts portrays Ed, the submissive boyfriend of a much more assertive character who falls into an unfortunate situation, and though Watts doesn’t have a ton of stage time, his number “Bit Part Demon,” which pokes fun at the obligatory slaying of various demons in Evil Dead, is impressive and he keeps the energy up throughout the number.
Sarah Luckadoo rounds out the ensemble of this production and does a fine job as both living characters and inanimate objects such as a footbridge and she does it all with gusto and high energy. She manages to have fun with the camp and creates a very enjoyable performance.
Danny Bertaux as Scott and Benjamin Stoll as Ash. Credit: Bruce F Press Photography

Danny Bertaux as Scott and Benjamin Stoll as Ash. Credit: Bruce F Press Photography


The five unfortunate friends who find themselves in the middle of this bloody, demonic story are Shelly, the ditzy, “loose woman,” played by Angeleaza Anderson (who plays a completely different, scholarly character named Annie, as well), Scotty, the bone-head best friend played by Danny Bertaux, Cheryl, this good girl, nerdy sister played by Sarah Goldstein, Linda, the hero’s girl, played by Carson Gregory, and our unlikely dashing hero, played by Benjamin Stoll.
Danny Bertaux, as Scotty, has a great command of the stage and is very comfortable in his role as the stereotypical “frat boy” looking for a good time in the woods with a girl he picked up only days before. Vocally, he does an impeccable job carrying the lower range and keeping in harmony with his fellow singers and he fills out the ensemble numbers very nicely. His character portrayal could have been reigned in a bit as, at times, it seems he’s trying too hard and going over the top, even for a campy piece. Overall, his performance is admirable and he’s giving his all which is fun to watch.
Benjamin Stoll as Ash, Angeleaza Anderson as Annie, Peter Doyle as Jake. Credit: Bruce F Press Photography

Benjamin Stoll as Ash, Angeleaza Anderson as Annie, Peter Doyle as Jake. Credit: Bruce F Press Photography


Angeleaza Anderson does a great job playing Shelly, the absolutely annoying counterpart to Danny Bertaux’s Scotty. She does such a good job, I found myself really irate with this person, waiting for her demise. Her performance of this character could have been pulled back a bit, as well, as it was a bit much, at times. Thankfully, Anderson picks up the role of Annie, the scientist and very intelligent daughter of the owner of the cabin, who comes to searching for her father. This character was much more likable, though matter-of-face, but her transition between the two characters was a complete switch displaying Anderson’s impressive acting chops. Her vocal performance was equally impressive, carrying the higher register and her number “All the Men in My Life Keep Getting Killed by Candarian Demons” is entertaining and very enjoyable.
Danny Bertaux, Carson Gregory, and Peter Doyle. Credit: Bruce F Press Photography

Danny Bertaux, Carson Gregory, and Peter Doyle. Credit: Bruce F Press Photography


As Linda, the hero’s girlfriend and loyal S-Mart employee, Carson Gregory takes on this role with the understanding that the character is not the dramatic, romantic lead and it works brilliantly! She’s comfortable on the stage and gives a strong performance. Her vocal abilities are apparent as she flawlessly sings through the heartwarming and humorous “Housewares Employee” that deals with the meeting and eventual relationship between Linda and Ash. Gregory is a confident and diligent performer that is an asset to this production.
One of the highlights of this production of Evil Dead the Musical is Sarah Goldstein who takes on the role of Cheryl, the good-girl of the group. Goldstein really embraces this character and gives her all to her performance. Her comedic timing is spot on and she plays her character straight, making the craziness of the situation even more humorous. She’s a very strong performer and is quite comfortable on the stage and in this role. Her numbers “They Won’t Let Us Leave” and “Look Who’s Evil Now” are fun to watch and she pulls them off confidently as these songs sit well in her vocal range. She’s another actor who takes on two different characters and the transition is superb. As one of the characters with a good amount of stage time, she doesn’t drop her character once, keeping it up throughout the entire piece. She’s definitely one to watch in this production.
Angeleaza Anderson as Annie and Benjamin Stoll as Ash. Credit: Bruce F Press Photography

Angeleaza Anderson as Annie and Benjamin Stoll as Ash. Credit: Bruce F Press Photography


This brings us to our handsome, humorous hero, Ash, played flawlessly by Benjamin Stoll. Stoll carries this production effortlessly and seems to understand the humor and tongue and cheek that accompanies this piece. His comedic timing is near perfect and his physical work is outstanding. Vocally, Stoll is a standout with a smooth, beautiful baritone-tenor that resonates through the theatre. It doesn’t hurt that he’s pretty easy on the eyes being cute as a button and dashing all at the same time! However, school girl crush aside, Stoll does an amazing job in this role. This character is so iconic, it’s quite challenging to take on the responsibility of keeping the character familiar but also bringing a fresh point of view. Stoll very impressively manages to make the character of Ash his own and not a second rate version of the genius of Bruce Campbell and it made his performance top notch. I’m looking forward to seeing Stoll’s work in the future.
Final thought… Evil Dead the Musical is a fun, bloody, and definitely campy show that certainly doesn’t take itself too seriously and it’s easy to see the performers are having a great time which results in the audience having a great time, as well. You don’t have to be familiar with the films to enjoy the show and if you are not familiar, it’s a great introduction and if you are familiar, this production has taken care not to mess too much with the themes and gags that made the films so successful and you’ll certainly be overcome with a feeling of nostalgia. Perfect for the Halloween season, you should add this show to your Fall “to do” calendar!
This is what I thought of this production of Evil Dead the Musical.… what do you think?
Evil Dead the Musical will play through October 29 at Red Branch Theatre Company, 9130-I Red Branch Road, Columbia MD 21045. For tickets, call the box office at 410-997-9352 or purchase them online.