Review: Madagascar, A Musical Adventure at Red Branch Theatre Company

By Jason Crawford Samios-Uy
Running Time: Approx. 80 minutes with one 15-minute intermission
Do you like to move it, move it? Well, if you do, you’re probably familiar with the 2005 Dreamworks film Madagascar. If you’re not familiar with it and it’s sequels, it’s a cute computer-animated feature about four unlikely animal friends, a lion, a zebra, a giraffe, and a hippo, from the Central Park Zoo who find themselves on the island of Madagascar, realizing what it is to be in the wild. Red Branch Theatre Company’s latest offering, Madagascar, A Musical Adventure, with a Book by Kevin Del Aguila and Music and Lyrics by George Noriega and Jose Someillan, is the stage version of this popular film, Directed by Jenny Male, with Music Direction by Dustin Merril, and Choreography by Angeleaza Anderson, Sarah Luckadoo, and Jenny Male, is fun, energetic production perfect for this time of year when you need a break from the crazy mid-Atlantic weather and the hustle and bustle of the holidays.
Set Design by Jacob Cordell is minimal but appropriate and sets the scenes cleverly. Using set pieces, it’s easy to determine where each scene is placed and Cordell decorates the set festively that works quite will with this piece.
A highlight of this production is Choreography by Angeleaza Anderson, Sarah Luckadoo, and Jenny Male. It’s contemporary, high energy, tight, and the ensemble performs it well, adding great value to the production as a whole and keeps the attention of the targeted, younger audience members.


The company of Madagascar, A Musical Adventure. Photo: Bruce F Press Photography

Costume Design by Jackie Rebok is well thought-out, flashy, and fanciful, as it should be. With the risk of doing too much for a character when it comes to people playing animals, Rebok’s design is intelligent in that it doesn’t inhibit the actors performances but gives the audience just enough to know which animal is being portrayed. Simple, but spot on, each costume is quite appropriate and adds great value to this production. On a personal note, I think the platform boots for Melman the Giraffe are everything and a clever touch to the character.
Music Diretion by Dustin Merrill is focused and commendable and, even though the production uses recorded music (I’m assuming, since there wasn’t a pit orchestra listed in the program), his cast his well-rehearsed and committed. The score is very pop-inspired and quite catchy. The tunes are hummable and the ensemble has a good grasp of the music making for a delightful production.
Jenny Male takes the helm of this production of Madagascar, A Musical Adventure and her vision and staging of this piece is superb. She doesn’t treat this material simply as a “kids show” but as a quality production. It’s a fluffy show that’s meant to be more fun than anything, but it does have a message of belonging of which Male has a strong comprehension and her vision is clear. Her casting is spot on and her staging keeps the piece moving along nicely with smooth transitions and a peppy pace.
Speaking on the performances of this piece, it’s worth noting that every single ensemble member is 100% committed and gives dedicated, strong performances. They all work well together and take the piece seriously enough to get the message across but also have fun with the material making for an engaging evening of theatre.

The company of Madagascar, A Musical Adventure. Photo: Bruce F Press Photography

To begin, Rick Westerkamp takes on the role of the over-the-top, zany King Julien and Megan Henderson takes on the character of the business-like assistant, Maurice. Overall, these two give confident performances and are comfortable in their roles, but Westerkamp takes the over-the-top a little too far and it actually hinders his performance. It’s as if he’s trying too hard for the laugh and the portrayal falls a bit flat. Vocally, he’s not the strongest and with one of the most recognizable, catchy songs in the entire production, “I Like to Move It,” one would think this number would be the most memorable. The choreography is spot on but Westerkamp seems to be just going through the motions, depending on the assumption that the audience will find it humorous.
Ben Ribler tackles the role of Alex the Lion, the star of the Central Park Zoo and a carefree, kept creature that takes advantages of all the privileges that entails. Ribler’s character work is admirable and, vocally, he makes a very good showing but it is a subdued performance, lacking energy at times, and he seems to be so soft spoken, it was difficult to make out his dialogue through much of the performance. However, aside from a few minor issues, he has a good presence, understands his character, and seems to be enjoying the role which transfers to the beguiled audience.

Bryan Thompson as Marty. Photo: Bruce F Press Photography

Performing the role of Marty the Zebra is Bryan Thompson and he has a great grasp of this character and his need for freedom. Thompson’s delivery is commendable and his dedication is apparent for this role. Vocally, he may not be as strong as others in the ensemble, but he holds his own nicely and has great chemistry with his cast mates. Overall, it’s a notable performance and his enjoyment of playing this role shines through.
Though supporting characters, The Penguins are probably some of the most popular characters in this piece and Liliana Evans as Skipper, Angeleaza Anderson as Private, Sarah Luckadoo Rico, and Molly Mayne as Kowalski give a hilarious showing as these determined arctic fowls. They have a brilliant chemistry and work well together. Each actor portrays the individuality of each character and give the Penguins a near perfect balance of hard-nosed, military purpose and compassion for their fellow animals. Kudos to Evans, Anderson, Luckadoo, and Mayne on their wonderful performances.
Danny Bertaux is a highlight in this production as Melman the Giraffe. Melman is such a quirky character, but Bertaux pulls off a stellar performance. He embodies this character who suffers from severe hypochondria and endears himself to the audience. He works quite well with and off of his cast mates and adds a certain charm to this character. It’s worth mentioning, also, that he keeps up with the intense choreography in exceedingly high platform boots (that I absolutely adore) without missing a step. Overall, a praise-worthy performance.
In this particular production, Taylor Washington as Gloria the Hippo as the standout. This lady has a voice on her that soars throughout the theatre and makes one take notice. She’s committed to her role and adds a maternal aspect that is required of Gloria. Her chemistry with her “boys” is spot on and she takes the material seriously enough to tell the story but also has fun with the role that balances out to be a superb performancce.
Final thought… Madagascar is a cute, fun, and energetic staged version of the popular 2005 film and it transfers nicely to the stage. The music is pop-inspired and damned catchy, that you may find yourself humming on your way out of the theatre. The performances are committed and the ensemble is strong. You don’t have to be familiar with the film to enjoy this family-friendly, fluffy, and thoroughly entertaining piece of theatre.
This is what I thought of Red Branch Theatre Company’s production of Madagascar… What did you think? Please feel free to leave a comment!
Madagascar, A Musical Adventure played December 8-23 at Red Branch Theatre Company, 9130-I Red Branch Road, Columbia, MD.
Email us at
Like Backstage Baltimore on Facebook
Follow us on Twitter (@BackstageBmore) and Instagram (BackstageBaltimore)

Review: Harry Connick Jr.'s The Happy Elf at Red Branch Theatre Company

By Jason Crawford Samios-Uy


Running Time: 90 minutes with one 10-minute intermission

Tis the season for joy and merry making and the latest offering from Red Branch Theatre Company, Harry Connick Jr.’s The Happy Elf with Music & Lyrics by Harry Connick, Jr. and Book by Lauren Gunderson & Andrew Fishman, with Direction by Laura Greffen, Music Direction by Dustin Merrell, Choreography by Rick Westerkamp, Scenic Design by Gary Grabau, Costume Design by Andrew Malone, and Lighting Design by Stephanie Lynn Williams and Amy Williamson has all this and more. Grab the kids, nieces, nephews, or any young person in your life and check out this fun story of never giving up and discovering one of the true meanings of Christmas.

The cast of Harry Connick Jr.'s The Happy Elf. Credit: Bruce F Press Photography

The cast of Harry Connick Jr.’s The Happy Elf. Credit: Bruce F Press Photography

Scenic Design by Gary Grabau is simple yet innovative for this production and the clever use of levels keeps the set interesting as well as the use of revolving flats to create the various settings and getting the cast on and off quickly and quietly. The painted scenes of the North Pole with snow covered hillsides and Evergreen trees are cute and serve their purpose but might be a little plain for such a fun show. However, overall, the scenic design is bright and very fitting for this piece. It’s worth mentioning the inventive, working conveyer belts in Santa’s workshop add great value to this production making for a well-thought out set.

To set the mood, Lighting Design by Stephanie Lynn Williams and Amy Williamson use the lighting wisely to show contrast between the bright and busy North Pole to the downtrodden and dark Bluesville. Lighting is appropriate and does not take away from the production but blends in making for smooth transitions and gives the correct cues to what feeling each scene has.

The cast of Harry Connick, Jr.'s The Happy Elf. Credit: Bruce F Press Photography

The cast of Harry Connick, Jr.’s The Happy Elf. Credit: Bruce F Press Photography

Veteran Costume Designer Andrew Malone never disappoints and this production is no different. Malone hits the nail on the head with this fanciful wardrobe for elves and dear old Santa Clause and citizens of Bluesville alike. Each elf costume is individual and adds to the characters and all the costumes are traditional, yet they all have a contemporary flair and Mr. Malone is to commended for his work on this production.

The cast of Harry Connick, Jr.'s The Happy Elf. Credit: Bruce F Press Photography

The cast of Harry Connick, Jr.’s The Happy Elf. Credit: Bruce F Press Photography

As this is a show with music by the incomparable Harry Connick, Jr., it goes without saying there is a lot of music and it is, after all, a musical. So, with lots of music comes lots of dancing and Choreographer Rick Westerkamp has taken on this challenge with ease and has this ensemble dancing and gliding across the stage in each number accompanied by this fun and jazzy score. The choreography is well thought-out and is a great match for Connicks music.

Speaking of Connick’s music, Music Direction by Dustin Merrell is superb. Though there is no live orchestra, the consolation prize is hearing the smooth, jazzy recorded voice of Harry Connick, Jr. himself tell the story of The Happy Elf in between the scenes. Merrell has a strong vocal ensemble and has them sounding fantastic in each number. These aren’t the old fashioned Christmas Pageant songs you’ll hear throughout the season, but new jazzy holiday show tunes and Merrell has the cast singing in harmony that rings throughout the theatre.

The Cast of Harry Connick, Jr.'s The Happy Elf. Credit: Bruce F Press Photography

The Cast of Harry Connick, Jr.’s The Happy Elf. Credit: Bruce F Press Photography

Harry Connick, Jr.’s The Happy Elf is certainly a children’s show, meaning it is a show for children and directing this type of show can be tricky. However, Director Laura Greffen has taken on this challenge and has produced an unqualified success. Her vision is apparent and she understands the humor geared for a young audience, but also understands that parents and adults may be in the audience, as well, and she finds a happy medium to entertain everyone. She keeps the action moving and precise to stay within the 90 minutes, including the intermission and that’s perfect for any children’s show. Overall, Greffen gives us a well put-together and smooth running production.

Moving into the performance aspect of this production, Todd Hochkoppel takes on the role of Mayor and though his is confident and comfortable in this role, his performance fell a little flat for me. However, that’s not to say he didn’t do a good job, because he certainly, like all of the ensemble, gave 100% to his character and understood what his character was about making for a good performance in general.

Adeline K. Sutter takes on the role of an unconventional, modern, slinkier Mrs. Clause that we’re used to, but she pulls it off nicely. Likened mo
re to an old time gangster moll, her acting chops weren’t stretched completely as her only expression was one of irritation and contempt, but she pulled them off very nicely. Sutter takes on double duty and portrays Coppa, an agent in “Gnomeland Security” and a nemesis of our hero, Eubie the Elf. Her talents are much better portrayed in this role and her performance is strong and entertaining.

Santa, the big man himself, is played masterfully by Dean Allen Davis and I’ve got to say, he’s a pretty spot on Santa Clause with a big, resonating speaking voice that booms throughout the theatre. However, his singing voice isn’t as strong, but he still makes a good showing as the joyful old man that has a tummy like a bowlful of jelly.

Dean Allen Davis, Adeline K. Sutter, and Seth Fallon. Credit: Bruce F Press Photography

Dean Allen Davis, Adeline K. Sutter, and Seth Fallon. Credit: Bruce F Press Photography

Seth Fallon takes on the role of Norbert, the curmudgeon head honcho Elf in the North Pole who isn’t a big fan of our hero and is by the book and waiting for our hero to falter. Fallon does a fantastic job as the stuffy, sour elf trying to ruin everything the hero is trying to accomplish and he makes the role his own. As good a job he does with the character, he does carry around an “assistant” that is a hand puppet and I’m still scratching my head as to the purpose of said puppet other than children always appreciate a funny looking puppet because it did not seem to move the story forward or have any importance at all. Regardless, Fallong gives a strong, confident performance.

Katie Ganem. Credit: Bruce F Press Photography

Katie Ganem. Credit: Bruce F Press Photography

Molly and Curtis, the bad kids from Bluesville are played by Katie Ganem and Sarah Luckadoo, respectively. These two characters, mainly Molly, are the two kids Eubie the Elf is supposed to help see the light and the true meaning of Christmas. Both Ganen and Luckadoo do outstanding jobs portraying bratty kids running amuck in the town, causing trouble and not caring much about anything and Ganen as Molly, gets the point across that she is a neglected child, probably just acting out to get attention. Luckadoo is perfect as the “sidekick” and willing participant in the brattiness going on. The two actors have a great chemistry with each other and the rest of the cast making for wonderful performances.

Megan Henderson takes on the role of Gilda, the sweet, shy elf who has a thing for our hero, Eubie, and Courtney Branch tackles the role of Hamm, the mechanic elf, who spends more time under a sleigh than inside of it. Both of these actresses were confident and comfortable in their respective roles and gave strong performances. Megan Anderson gives off an air of feminine cuteness that the character requires while she tries to get the attentions of Eubie and, most of the time failing, but for no fault of her own. On the other end of the spectrum, Courtney Branch, as Hamm, is very likeable and believable as the more tom-boyish character that just wants to help her friends. Both actors seem to understand the individuality of their characters and plays them accordingly making them a joy to watch.

Cheryl Campo. Credit: Bruce F Press Photography

Cheryl Campo. Credit: Bruce F Press Photography

A definite highlight of this production is Cheryl Campo who plays Gurt, the wife of the Mayor of Bluesville. Aside from being very expressive and totally giving 100% to her role, this lady has a set of pipes on her! Though her solo number is a bit short, it’s easy to hear the strong vocals and they certainly shine through in the ensemble numbers, as well. Campo commands the stage quite well and is an absolute joy to watch. I look forward to seeing more from her in the future.

Justin Moe. Credit: Bruce F Press Photography

Justin Moe. Credit: Bruce F Press Photography

Finally, we get to our hero, Eubie the Happy Elf, played skillfully by Justin Moe. Simply going on looks, I couldn’t imagine anyone else playing this role other than Justin Moe but, look aside, he had me sold from the start. He was able to keep the energy up the entire 90 minutes and is absolutely believable as this character, giving his all and taking the role seriously enough to bring the audience into the story. He obviously understands his character’s objective and each choice he makes moves his character toward that goal of making sure Christmas is enjoyed by everyone, even a dark, salty town like Bluesville. Moe is a pleasure to watch with his strong vocal performance, and assured performance that makes him a distinct standout in this production.

Final though… Harry Connick Jr.’s The Happy Elf at Red Branch Theatre Company is a fun, feel-good holiday story that is a good break from the hustle and bustle of this season and it’s perfect for the family as a whole. The kids will adore it and the story is endearing for adults as well, reminding us what Christmas is all about. Take a break from the aforementioned hustle and bustle and take a trip down to Red Branch Theatre Company to join in on their merry making!

That’s what I thought about Harry Connick Jr.’s The Happy Elf, playing at Red Branch Theatre Company… what did you think? Please feel free to leave a comment!

Harry Connick Jr.’s The Happy Elf will play through December 18 at Red Branch Theatre Company, 9130-I Red Branch Road, Columbia, MD. For tickets, call the box office at (410) 220-6517 or purchase them online.